- Created on Friday, 29 March 2013 16:12
I've spent this week practicing 'Hackie Honey' from Wm Dixon's MS and this morning had a moment of enlightenment. This is one of those tunes whose quaver runs sometimes seem to end at a cliff-edge - here is the first two bars of strain 5, for instance:
the last two notes of each bar seem to hang in the air with the result that, when I play them, the very last one, arguably the most important, gets thrown away in the rush to get the next note in place. I've struggled often with this kind of thing in music with this feature - a common device in the early 18th century repertoire, not just Dixon.
So what did I discover today? I found the trick, which is to treat those last two notes not as the end of the current phrase but as the beginning of the next phrase, almost as a pick-up. The music then runs on into the following passage and each note is much more likely to get its due attention.
What's more, this principle can be applied to all those six-quaver groups, and to many of the four-quaver ones too - treat the last two notes as the beginning of the next phrase.
Not only does this give the notes their full value, but it keeps the music driving on, shifting the 'weight' onto the next beat, just as the dancers shift their weight ready for the next step.
Maybe this is news to no-one but me; but if so, I wish someone had told me ages ago...